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Fictional Space in the Context of Space-Time and Spatial Relationships
Abstract
With the increasing influence of technology, narratives are gradually transforming into grander stories. Undoubtedly, one of the most critical stages in a film's storytelling and creation process is the construction of space. The concept of space-time and spatiality, empowered by technological possibilities, gains a multidimensional significance, enabling creators in cinema to produce “surreal” spaces. In cinema, surreal creations emerge through the linkage of narrative time and narrative space via editing. This study will focus on space creation and the concept of constructed space in cinema. Based on Kuleshov's notion of “Creative Geography,” it will also explore Eisenstein's theory of montage and J. Arnheim's concepts of aesthetics and cinematic reality, aiming to articulate the process of fictional space construction.
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