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Social Dynamics of Hindi Eco-Cinema and the Politics of Water
Abstract
Eco-terrorism and environmentalism in Indian mainstream visual media are either eclipsed or serve as ancillary thematic props to the project. The big banners, production houses, mainstream directors, actors, scriptwriters of the industry rarely undertake eco-cinematic projects since these movies fail in box-office collection. However, the beginning of the 21st century has seen a paradigmatic shift with the advent of “green movies.” Interestingly, Nila Madhab Panda's Kaun Kitney Paani Mein (2015) and Aparnaa Singh's Irada (2017) have successfully projected on the silver screen the problem of groundwater contamination and the scarcity of water leading to ecocide. The current chapter explores how eco-cinema has become a critical platform to talk about grim ecological matters like water contamination and depletion to sensitise the audience regarding the need for water conservation.
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