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Cartographies of Indian Cinema: A Transnational Journey

Cartographies of Indian Cinema: A Transnational Journey
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Author(s): Lipika Kankaria (National Institute of Technology, Durgapur, India)and Sutanuka Banerjee (National Institute of Technology, Durgapur, India)
Copyright: 2020
Pages: 15
Source title: Handbook of Research on Social and Cultural Dynamics in Indian Cinema
Source Author(s)/Editor(s): Santosh Kumar Biswal (Symbiosis International University (Deemed), India), Krishna Sankar Kusuma (Jamia Millia Islamia, India)and Sulagna Mohanty (Amrita Vishwa Vidyapeetham, India)
DOI: 10.4018/978-1-7998-3511-0.ch020

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Abstract

The origin of cinema in India has transnational roots and can be traced back to as early as the 1920s. The multicultural connections were not only evident in terms of the cast and the crew but also in terms of the reach of the subject matter as portrayed on screen that had a global appeal. Application of modern technology and interactions between communities created a glocal space that transcended geopolitical boundaries. It is also interesting to note how actors and filmmakers from other nationalities became an integral part of these narratives. This culminated in an excellent combination of foreign technical knowledge and the creativity of the Indian film fraternity that produced an array of unforgettable masterpieces. This chapter attempts to chart the history and map the course of Indian cinema by applying a transnational lens and reexamining the cultural and social implications of these films. Moreover, it aims to situate the evolution of Indian cinema, keeping in view the intersection of gender, race, class, religion, and other categories.

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