The IRMA Community
Newsletters
Research IRM
Click a keyword to search titles using our InfoSci-OnDemand powered search:
|
Breaking Stereotypes: A Paradigm Shift in the Projection of Women in Indian Short Films
Abstract
Indian films are gradually coming of age: becoming more realistic, bold, and daring. Indian short films are getting candid: talking openly about issues rather than brushing them under the carpet. The digital media boom and the advent of social media have made the short film genre popular. In the fast-paced age where people, caught up in the humdrum and rat race of everyday life, are generally becoming impatient about everything, the short film has come to the rescue of filmmakers and film lovers. Gone are the days where everyone had ample time and patience to watch a three hour feature film or a two hour saga. In case of a short film, the message gets conveyed in a quick, crisp, and focused manner, without beating about the bush. Women-oriented short films like Her First Time, Juice, The Day After Every Day, Mama's Boy, Going Dutch, Pressure Cooker, The Girl Story, Ek Dopahar, Khaney Mein Kya Hai, White Shirt, Naked, etc. are breaking stereotypes of the patriarchal notions about women. The chapter probes the portrayals of women characters in Indian short films.
Related Content
|
Deborah Abiola Fifelola, Foluke Olayinka Unuabonah.
© 2026.
40 pages.
|
|
Vishnu Achutha Menon, Sandeep Kumar, Anil Shivani.
© 2026.
22 pages.
|
|
Matthew Alugbin.
© 2026.
40 pages.
|
|
Esther Adeagbo.
© 2026.
28 pages.
|
|
Olusegun Jegede.
© 2026.
38 pages.
|
|
Omolade Ilesanmi.
© 2026.
32 pages.
|
|
Moses Olusanya Ayoola, Mercy Adenike Bankole.
© 2026.
30 pages.
|
|
|