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Adaptation of Shakespeare in Bengali Theatre and Cinema

Adaptation of Shakespeare in Bengali Theatre and Cinema
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Author(s): Darshana Chakrabarty (Arizona State University, USA)
Copyright: 2020
Pages: 17
Source title: Handbook of Research on Social and Cultural Dynamics in Indian Cinema
Source Author(s)/Editor(s): Santosh Kumar Biswal (Symbiosis International University (Deemed), India), Krishna Sankar Kusuma (Jamia Millia Islamia, India)and Sulagna Mohanty (Amrita Vishwa Vidyapeetham, India)
DOI: 10.4018/978-1-7998-3511-0.ch021

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Abstract

The mastery and majestic aestheticism of Shakespeare has a global influence. The extensive presence of Shakespeare began in India as a part of the colonial strategy. The Bard's works were first introduced in schools and colleges as a scheme of the British government to get cheap administrative services from the natives. Gradually, Shakespeare entered the theatres of India, beginning with Calcutta, the then capital of India. With time, when the theatres were experiencing “dark stage,” Shakespeare got adopted and adapted in the film industry. From Bollywood to regional Indian cinemas, like the Bengali film industry, all felt the influence as well as drew inspiration. This chapter discusses in details about the introduction of Shakespeare in India, Calcutta, his movement from page to stage, and then stage to screen. Movies like Saptapadi, Bhranti Bilas, Srimati Bhayankari, Hrid Majhare, Arshinagar, Hemanta, and Zulfiqar have been discussed.

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