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The Sociopolitical Discourse of Violeta Parra and Víctor Jara - The Culture of People's Power: Giving Voice to Social Justice in Chile's New Song Movement
Abstract
While its roots lie deep in Latin American culture and history, the New Song music was first brought to the attention of the world when totalitarian military regimes seized power in South America during the 1970s. Torture, death, persecution, or disappearance became the tragic fate of thousands of citizens including Violeta Parra and Victor Jara of Chile, popular and talented singer-songwriters (cantautores), the latter executed for his songs of justice and freedom. Other New Song artists were driven into exile to avoid a similar fate. Later, during the 1980s, a second, deadlier wave of terror swept through Central America in genocidal proportions. Again, New Song artists urgently sang about these horrific human rights violations, denouncing the perpetrators of this violence and telling the story of the struggle of people resisting. Beyond the desired social space in which to talk about horrific human rights abuses, there is a deep history of social commentary in musical and other performative traditions in Latin America.
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