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Cinematographic Ethics Within the Autonomy of Art: Empathy With Pedophilia in Cinema
Abstract
Pedophilia, which at the same time is considered as a sickness, was mostly handled in cinema history as an element of crime. Apart from the examples where the evil is punished, there also exists movies where the subject is handled but not named. And in recent past, movies that aim to empathize started to appear. These movies places pedophilia in the center, study the justifications behind actions and tries to establish sympathy. There are movies such as The Woodsman and Kind in which the main character is a pedophile, ones like Little Children where pedophilia is handled as a whole and ones like Nympnomaniac Vol 2 wherein pedophilia is elaborately scrutinized. Common trait of all these movies is the acceptance of pedophilia, which is coded as a state of absolute evil, as a reality and engaging in an effort to understand it. These four movies which, within the frame of autonomy of art and within the context of cinematographic ethics, empathize with a state that is opposite to moral norms are of importance regarding confrontation with parts of human nature that is considered evil.
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