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The Forking Paths Revisited: Experimenting on Interactive Film

The Forking Paths Revisited: Experimenting on Interactive Film
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Author(s): Bruno Mendes da Silva (Centro de Investigação em Artes e Comunicação, Portugal), Mirian Nogueira Tavares (University of Algarve, Portugal), Vítor Reia-Batista (Centro de Investigação em Artes e Comunicação, Portugal)and Rui António (Centro de Investigação em Artes e Comunicação, Portugal)
Copyright: 2019
Pages: 17
Source title: Interface Support for Creativity, Productivity, and Expression in Computer Graphics
Source Author(s)/Editor(s): Anna Ursyn (University of Northern Colorado, USA)
DOI: 10.4018/978-1-5225-7371-5.ch007

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Abstract

Based on the triad, film-interactivity-experimentation, the applied research project, The Forking Paths, developed at the Centre for Research in Arts and Communication (CIAC) endeavors to find alternative narrative forms in the field of cinema and, more specifically, in the subfield of interactive cinema. The films in the project invest in the interconnectivity between the film narrative and the viewer, who is given the possibility to be more active and engaged. At same time, the films undertake a research on the development of audio-visual language. The project is available at an online platform, which aims to foster the creation and web hosting of other interactive cinema projects in its different variables. This chapter focuses on the three films completed up to the moment: Haze, The Book of the Dead, and Waltz.

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