Past, Non-Story Narrative Film, and Nostalgia

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Author(s): Akihito Kanai (Hosei University, Japan)
Copyright: 2019
Pages: 15
Source title: Post-Narratology Through Computational and Cognitive Approaches
Source Author(s)/Editor(s): Takashi Ogata (Iwate Prefectural University, Japan)and Taisuke Akimoto (Kyushu Institute of Technology, Japan)
DOI: 10.4018/978-1-5225-7979-3.ch006

Keywords: Communication Studies / Communications Theory / Education / Information Science Reference

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Abstract

Nostalgia effects are essential for cognition about the past. Also, film has a closer relationship with the past. Nostalgia-based film rhetoric composition can broaden the potential for narrative generation, especially from the perspective of non-story narratives, without using the story grammar and characters' goal-directed actions that were the central focus in previous studies. In this chapter, the film cognitive effects related to re-defining nostalgia through cutting techniques and defamiliarization of narrative rhetoric are particularly analyzed. Using a cognitive and computational model, the rhetoric of the film is classified into four kinds of nostalgia including non-nostalgia and analyzed in particular from the cognitive process perspective as it related to non-story and nostalgia. Next, a computerized classification is used to compose rhetoric and generate films for various kinds of nostalgia. The generated films revealed both the narrow story and broad non-story aspects of the rhetoric, narrative, and cognition of the past and the film.

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Past, Non-Story Narrative Film, and Nostalgia

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