How We Hear and Experience Classical, Computer, and Virtual Music

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Author(s): Robert C. Ehle (University of Northern Colorado, USA)
Copyright: 2019
Pages: 19
Source title: Interface Support for Creativity, Productivity, and Expression in Computer Graphics
Source Author(s)/Editor(s): Anna Ursyn (University of Northern Colorado, USA)
DOI: 10.4018/978-1-5225-7371-5.ch005

Keywords: Computer Graphics & Art / Digital Media / Information Science Reference / Media & Communications

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Abstract

This chapter examines occurrences and events associated with the experience of composing, playing, or listening to music. Discussion of popular music and computer music begins the chapter, including issues pertaining the tuning systems, digital interfaces, and software for music. It then recounts an experiment on the nature of pitch and psychoacoustics of resultant tones.

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How We Hear and Experience Classical, Computer, and Virtual Music

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